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OUR PHILOSOPHY At MH Art & Frame Gallery we believe that good framing is about problem solving. With that in mind, we use our knowledge and expertise to create a frame design that best suits the image and is in balance with the needs of our clients and their décor. However, good framing goes beyond good design. Photographs, works on paper and paintings on canvas all have individual requirements. As an example, some images require UV glass as opposed to regular glass or PH neutral materials to preserve the current state of the art. These requirements will be explained and explored and ultimately applied to the work of art with the input of both our staff and the client. From works on paper, canvas paintings, photographs and documents to sentimental items or fleeting decorative whims, MH Art and Framing Gallery wants to find the best balance between function and design. WHO WE ARE We are artists. We take our knowledge as artists and combine it with the experiences we have accumulated with galleries, publishers, designers and collectors and apply it to the works that come through MH Art & Framing Gallery. Because of this, we consider ourselves “caretakers” of art. We are designers. We apply our graphic design and advertising backgrounds for framing design, ensuring that the frame design will still allow you to focus on what you care most about. Your art.
NICK ROSAL Nick Rosal, the Director of Production for MH Art and Framing Gallery, has been involved in the arts in one form or another for almost thirty years. As an artist, his work has been exhibited in the tri-state area and sold to collectors on the East and West Coasts. His works are in the corporate collections of Waldorf Astoria, Calvin Klein and Citizen Watch. Commercially, Nick started in the Graphic Design and Advertising fields, but soon returned to his passion of painting and music. More recently, he has been involved as a scenic painter in theater as well as teaching fine art painting. For many years he was the director of production for a NYC art publisher. Nick’s return to the framing industry was a combination of needing to see "NYC art behind the scenes" and a desire to “work with (his) hands” again.
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